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William Morris and Red House |
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| Elizabeth Eleanor Siddal (1829-62)
A number of sources give good summaries of the life of Lizzie Siddal. See below for: The present extract is taken, with thanks, from Jan Marsh, The Pre-Raphaelites ( p28-29), 1998, NPG Elizabeth Eleanor Siddal, model, muse and Pre-Raphaelite artist in her own right, was working as a milliner when first introduced to the young painters. Soon known familiarly as 'Miss Sid', or 'the Sid', and then as Lizzie, she sat to Hunt, and to Millais for the drowning Ophelia. It was a trying experience, according to Arthur Huges:
'She was tall and slender, with red coppery hair and bright consumptive complexion', added Huges, recalling also:
Rossetti drew and painted Lizzie over and over again. Sitting, standing, lying, reading and sleeping. 'One face looks out from all his canvases', wrote Christina Rossetti. 'A queen in opal or in ruby dress. A nameless girl freshest in summer greens. A saint, and angel...'. In 1857 she exhibited at the Pre-Raphaelite show in Russell Place, and then settled for a while in Derbyshire. When in 1860 she finally married Rossetti, she was addicted to laudanum; a stillborn daughter led to depression and then to a fatal drug overdose. She left intense, mediaeval water-colours and some fragments of verse: To touch the glove upon her tender hand, To watch the jewel sparkle in her ring, Lifted my heart into sudden song As when the wild birds sing... I watch the shadows gather round my heart, I live to know that she is gone - Gone for ever, like the tender dove That left the Ark alone 'Gone'
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